If you don’t know (or if you’re new to the Vanguard Church website), I have a particular love for Progressive Rock.
My all-time favorite bands are the 70s proggers, represented by “Symphonic Prog” bands like Genesis and Yes, “Psychedelic/Space Rock” bands like Pink Floyd, “Progressive Metal” bands like Rush, and “Classical Prog” bands like Emerson, Lake and Palmer.
The main characteristics of Progressive Rock are:
- A mixture of elements from different genres,
- Complex time signatures,
- Lush keyboards, and the inclusion of different instruments,
- Explorative and intelligent lyrics,
- A non-commercial approach, and
- Longer format for songs (affectionately called "epics")
The 70s proggers simplified their music for radio play, though there remained incredible prog gems hidden on their albums. And new prog bands arrived, most notably, Marillion, IQ, and Pendragon.
These artists kept the Prog fires burning, creating very adventurous music in the vein of the “Symphonic Prog” bands of the 70s.
The 90s saw a revival of the Prog genre, led by two American bands. Dream Theater reinvented “Prog Metal,” and Spock’s Beard recreated “Symphonic Prog.”
America, however, was not the place where Prog got most of its energy. The Scandinavian symphonic prog scene developed bands like The Flower Kings and Ayreon. “Space Rock” was reinvented by British band Porcupine Tree.
In the 2000s, the genre exploded, and now, as we move into a new decade, many bands are coming to the fore that can be legitimately called “Progressive Rock.” And these bands are actually selling music!
You can keep track with the latest in Prog Rock by listening to the Dividing Line Broadcast Network and reading reviews at the Dutch Progressive Rock Page and ProgArchives.
Top 20 Albums of 2009 (20-11)
Top 20 Albums of 2009 (10-1)